That’s partly due to the level of detail applied by Edginton and artist Valeria Favoccia being of a higher level than the generic trappings that often accompany historical stories.įavoccia’s art is cartoon naturalism, and in places the figures are stiffly posed, but otherwise it’s ideally suited to historical adventure. While Assassins feature, little else connects the four stories beyond the enjoyment. Edginton offers a wide spread of the past, beginning with Leonardo da Vinci in Renaissance Italy, and following with a look at Genghis Khan in 13 th century China, 18 th century piracy, and post-colonial USA at the turn of the 19 th century. On other projects Edginton has frequently used historical settings as springboards, so he’s a good choice in that respect, and each of the stories also plays to the tactician that Berg is, showing that the obvious route isn’t always the best, or that patience is a virtue. He’s the Black Cross within the Templars rooting out corruption and betrayal, and Ian Edginton uses him as the link between four separate stories looking back into the past as he attempts to learn from highly acclaimed Assassins. Juhani Otso Berg was introduced as a senior member of the Templars in Assassin’s Creed: Rogue, a former special ops agent whose belief is that to know your enemy you must become your enemy, so he researches deeply.
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